A cracked iPhone screen spells disaster for most people. For Kevin Clancy, it’s a moment of transformation.
Lum
art of the here & now
art of the here & now
A cracked iPhone screen spells disaster for most people. For Kevin Clancy, it’s a moment of transformation.
All revolutions have the (un)fortunate side effect of altering much more than what they’ve initially set out to change. Whether we’re talking about a political act or a scientific breakthrough, a revolution begins with a magical act. What was previously seen as impossible, in a moment, is overcome. Spontaneous outbursts of mass movements (often accompanied by violence) cause major political upheavals, innovations in science and medicine cause humans to live longer or reach other planets, while artistic revolutions cause us to perceive and see in radically different ways. Revolutionary moments happen quickly. But their aftereffects can be felt for many years.
Late last summer, the stars aligned for a candid conversation between artists Sandy Rodriguez and Sarah Rosalena at a joint program for their concurrent exhibitions Sarah Rosalena: Pointing Star (April 16–July 30, 2023) at the Museum of Contemporary Art Santa Barbara (MCASB) and Sandy Rodriguez—Unfolding Histories: 200 Years of Resistance (Feb. 25, 2023–March 3, 2024) at the Art, Design & Architecture Museum (AD&A Museum), University of California, Santa Barbara.
Roughly at the same time over the 2024–25 season, two exhibitions at the Santa Barbara Museum of Art (SBMA) — Accretion: Works by Latin American Women and Friends and Lovers — explore the nuanced and potent ways that the self is an aggregate of relationships, histories, affects and experiences.
Alex Lukas, installation view, STNDRD, Granite City, Illinois, cut tarp, photographed by Sage Dawson/STNDRD
Mona Kuhn, 835 Kings Road, Installation view, Art, Design & Architecture Museum, University of California, Santa Barbara, photo by Tony Mastres